Philippa Gregory 3-Book Tudor Collection 1 (206 page)

BOOK: Philippa Gregory 3-Book Tudor Collection 1
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Jane Boleyn, Hampton Court, April 1541

‘Very good,' says my uncle Howard to me. ‘The king's wound is no better, but at least he is on speaking terms with the queen again. He has been to her bed?'

‘Last night. She had to take the man's part on him, astride him, above him, working him up, she does not like it.'

‘No matter. As long as the deed is done. And he likes it?'

‘For certainty. What man does not?'

He nods with a grim smile.

‘And she played your play to perfection? He is convinced that when he withdraws from court she breaks her heart at his absence and that she is always afraid that he will go back to the Cleves woman?'

‘I think so.'

He gives a short laugh. ‘Jane, my Jane, what a wonderful duke you would have made. You should have been head of our house, you are wasted as a woman. Your talents are all twisted and crushed into a woman's compass. If you had a kingdom to defend you would have been a great man.'

I cannot stop myself smiling. I have come a long, long way from disgrace when the head of the family tells me I should have been a duke like him.

‘I have a request,' I say, while I am in such high favour.

‘Oh, yes? I would almost say: “anything”.'

‘I know you cannot give me a dukedom,' I begin.

‘You are Lady Rochford,' he reminds me. ‘Our battle to keep your title was successful, you have that part of your Boleyn inheritance, whatever else we lost.'

I don't remark that the title is not much since the hall which carries my name is occupied by my husband's sister and her brats, rather than me. ‘I was thinking I might seek another title,' I suggest.

‘What title?'

‘I was thinking I might marry again,' I say boldly now. ‘Not to leave this family, but to make an alliance for us with another great house. To increase our greatness and our connections, to improve my own fortune, and to get a higher title.' I pause. ‘For us, my lord. To advance us all. You like to position your women to their advantage, and I should like to be married again.'

The duke turns to the window so I cannot see his face. He pauses for a long while and then when he turns back there is nothing to see; his expression is like a painting, it is so still and unrevealing. ‘Do you have a man in mind?' he asks. ‘A favourite?'

I shake my head. ‘I would not dream of it,' I say cleverly. ‘I have merely brought the suggestion to you, so that you might think what alliance might suit us: us Howards.'

‘And what rank would suit you?' he asks silkily.

‘I should like to be a duchess,' I say honestly. ‘I should like to wear ermine. I should like to be called Your Grace. And I should like lands to be settled on me, in my own right, not held for me by my husband.'

‘And why should we consider such a great alliance for you?' he asks me, as if he already knows the answer.

‘Because I am going to be the kinswoman to the next King of England,' I whisper.

‘One way or another?' he asks, thinking of the sick king on his back with our slight girl working her hardest above him.

‘One way or another,' I reply, thinking of young Culpepper, slowly making his way towards the queen's bed, thinking he is following his desires, not knowing he is following our plan.

‘I will think about it,' he says.

‘I should like to marry again,' I repeat. ‘I should like a man in my bed.'

‘You feel desire?' he asks, almost surprised to learn that I am not some kind of cold-blooded snake.

‘Like any woman,' I say. ‘I should like a husband and I should like to have another child.'

‘But unlike most women, you would only want that husband if he is a duke,' he says with a small smile. ‘And presumably wealthy.'

I smile back. ‘Well, yes, my lord,' I say. ‘I am not a fool to marry for love like some we know.'

Anne, Richmond Palace, April 1541

Calculation and, to tell truth, a grain of vanity took me to court for Christmas, and I think it was wise to be there to remind the king that I am his new sister. But fear brought me home again swiftly enough to Richmond. Long after the festivities and the presents are forgotten, the fear remains. The king was merry at Christmas but was in a dark mood for Lent, and I was glad to be here, and happy to be forgotten by the court. I decided not to go to court for Easter; nor shall I go with them on the summer progress. I am afraid of the king, I see in him both my brother's tyranny and my father's madness. I look at his darting, suspicious eyes and think that I have seen this before. He is not a safe man, and I think the rest of the court will come to realise that their handsome boy has turned into a strong man, and now the man is slowly becoming beyond control.

The king speaks wildly against reformers, Protestants and Lutherans, and both my conscience and my sense of safety encourage me to attend the old church and observe the old ways. Princess Mary's faith is an example to me, but even without her I would be bending my knee to the sacrament and believing that wine is blood and bread is flesh. It is too dangerous to think otherwise in Henry's England, not even thoughts are safe.

Why should he, who has indulged his own desire in his power and prosperity, look round like some savage animal for others that
he can threaten? If he were not the king, people would say that this must be a madman, who marries a young wife and, within months of the wedding, is hunting out martyrs to burn. A man who chose the very day of his wedding for the execution day of his greatest friend and advisor. This is a mad and dangerous man, and slowly everyone is coming to see it.

He has taken it into his head that there is a plot by reformers and Protestants to overthrow him. The Duke of Norfolk and Archbishop Gardiner are determined to keep the church as it is now, stripped of its wealth but basically Catholic. They want the reform to freeze where it is now. Little Kitty can say nothing to contradict them, for she knows nothing; in all truth, I doubt she knows what prayers are in her book. Obedient to their hints, the king has ordered the bishops and even the parish priests to hunt down men and women in the churches all over England who do not show proper respect at the raising of the host, charge them with heresy, and have them burned.

The butchers' market at Smithfield has become a place for human grief as well as beasts', it has become a great centre for burning martyrs, and there is a store of faggots and stakes kept for the men and women that Henry's churchmen can find to satisfy him. It is not yet called the Inquisition, but it is an Inquisition. Young people, ignorant people, stupid people and the very few with a passionate conviction are questioned and cross-questioned on little points of theology till they contradict themselves in their fear and confusion, and are declared guilty, and then the king, the man who should be father to his people, has them dragged out and burned to death.

People are still talking of Robert Barnes who asked the very sheriff who was tying him to the stake, what was the reason for his death? The sheriff himself did not know and could not name his crime. Nor could the watching crowd. Barnes himself did not know as they lit the flames around his feet. He had done nothing against the law, he had said nothing against the church. He was innocent of any
crime. How can such things be? How can a king who was once the handsomest prince in Christendom, the Defender of the Faith, the light of his nation, have become such a – dare I name it? – such a monster?

It makes me shiver as if I were cold, even here in my warm privy chamber at Richmond. Why should the king have grown so spiteful in his happiness? How can he be so cruel to his people? Why is he so whimsical in his sudden rages? How does anyone dare to live at court?

Jane Boleyn, Hampton Court, April 1541

We have our candidate for the queen's favour and I have done next to nothing to hasten the courtship. Without any prompting but a girl's desire, she has fallen head over heels in love with Thomas Culpepper, and by all I can see, he with her. The king's leg is giving him less pain and he has come out from his private rooms since Easter and the court is back to normal again; but there are still many chances for the young couple to meet and, indeed, the king throws them together, telling Culpepper to dance with the queen, or advising her on her gambling when Culpepper is dealing. The king loves Culpepper as his favourite groom of the bedchamber, and takes him everywhere he goes, delighting in his charm and his wit and his good looks. Whenever he visits the queen, Culpepper is always in his train and the king likes to see the two young people together. If he were not blinded by his monstrous vanity he would see that he is throwing them into each other's arms; but instead he sees the three of them as a merry trio, and swears that Culpepper reminds him of his boyhood.

The girl-queen and the boy-courtier are playing pairs together, with the king overlooking both of their cards like an indulgent father with two handsome children, when the Duke of Norfolk makes his way around the room to talk to me.

‘He is back in her rooms? She is bedding the king as she should?'

‘Yes,' I say, hardly moving my lips, my face turned towards the handsome young pair and their doting elder. ‘But to what effect, no-one can know.'

He nods. ‘And Culpepper is willing to service her?'

I smile and glance up at him. ‘As you see, she is hot for him, and he longs for her.'

He nods. ‘I thought as much. And he is a great favourite with the king, that's to our advantage, the king likes to see her dance with his favourites. And he is a conscienceless bastard, that's to our advantage too. D'you think he is reckless enough to risk it?'

I take a moment to admire the way the duke can plot with his eyes on his victim, and anyone would think he was talking of nothing but the weather.

‘I think he is in love with her, I think he would risk his life for her right now.'

‘Sweet,' he says sourly. ‘We'll have to watch him. He has a temper. There was some incident, wasn't there? He raped some gamekeeper's wife?'

I shake my head and turn away. ‘I hadn't heard.'

He offers me his arm and together we stroll down the gallery. ‘Raped her and killed her husband when he tried to defend her. The king issued him with a pardon for both offences.'

I am too old to be shocked. ‘A favourite indeed,' I say dryly. ‘What else might the king forgive him?'

‘But why would Katherine fancy him, above all the others? There's no merit in him at all except youth and good looks and arrogance.'

I laugh. ‘For a girl married to an ugly man old enough to be her grandfather, that is probably enough.'

‘Well, she can have him, if she wishes, and I may find another youth to throw in her way as well. I have my eye on a former favourite of hers, just returned from Ireland and still carrying a torch. Can you encourage her, while we are on progress perhaps? She will be less watched, and if she were to conceive this summer she could be
crowned before Christmas. I would feel safer if she had the crown on her head and a baby in her belly, especially if the king falls sick again. His doctor says his bowels are bound up tight.'

‘I can help the two of them,' I say. ‘I can make it easy for them to meet. But I can hardly do more than that.'

The duke smiles. ‘Culpepper is such a blackguard, and she is such a flirt, that I doubt you need do more than that, my dear Lady Rochford.'

He is so warm and so confiding that I dare to put my hand on his arm as he moves to go back to the inner circle. ‘And my own affairs,' I remind him.

His smile does not waver for a moment. ‘Ah, your hopes for marriage,' he says. ‘I am pursuing something. I will tell you later.'

‘Who is it?' I ask. Foolish, but I find I have caught my breath, like a girl. If I were to be married soon, it is not impossible but that I could have another child. If I were to be married to some great man I could lay down the foundation of a great family, build a big house, amass a fortune to hand down to my own heirs. I could do better than the Boleyns did. I could see my family rise. I could leave a fortune; and the shame and distress of my first marriage would be forgotten in the glamour of my second.

‘You will have to be patient,' he says. ‘Let's get this business with Katherine settled first.'

Katherine, Hampton Court, April 1541

It is springtime. I have never noticed a season so much in my life before; but this year the sun is so bright and the birdsong so loud that I wake at dawn and I lie awake with every inch of my skin like silk, and my lips moist, and my heart thudding with desire. I want to laugh without cause, I want to give my ladies little gifts to make them happy. I want to dance, I want to run down the long allées of the garden and twirl around at the bottom and fall on the grass and smell the pale scent of the primroses. I want to ride all day and dance all night and gamble the king's fortune away. I have an enormous appetite, I taste all the dishes that come to the royal table and then I send the best, the very best, to one table or another; but never, never to his.

I have a secret, it is a secret so great that some days I think I can hardly breathe for the way it burns on my tongue, hot for telling. Some days it is like a tickle that makes me want to laugh. Every day, every night and day, it is like the warm, insistent pulse of lust.

One person knows it, only one. He looks at me during Mass when I peer over the balcony of the queen's box and see him down below. Slowly, slowly his head turns as if he can feel my gaze on him, he looks up, he gives me that smile, the one that starts at his blue eyes and then moves to his kissable mouth, and then he gives me the cheekiest, quickest flash of a wink. Because he knows the secret.

When we are riding, his horse comes alongside mine in the hunt and his bare hand brushes my glove and it is as if I am scalded by his touch. I dare not even look at him then, he does no more than this, the gentlest touch, just to tell me that he knows the secret; he knows the secret too.

And when we are dancing and the steps bring us together and we are handclasped and we should, according to the rules of the dance, lock gazes as we go round, then we drop our eyes, or look away, or seem quite indifferent. Because we dare not be too close, I dare not have my face near his, I dare not look at his eyes, his warm mouth, the temptation of his smile.

When he kisses my hand to leave my rooms he does not touch my fingers with his lips, he breathes on them. It is the most extraordinary sensation, the most overwhelming feeling. All I can feel is the warmth of his breath. In his gentle grasp he must feel my fingers stir like a sweet meadow beneath a breeze, under that slightest touch.

And what is this secret, that wakes me at dawn and keeps me quivering like a hare until darkness when my fingers tremble at the warmth of his breath? It is such a secret that I never even name it to myself. It is a secret. It is a secret. I hug it to myself in the darkness of the night when King Henry is at last asleep and I can find a little patch of the bed that is not heated by his bulk nor stinking of his wound, then I form the words in my head but I do not even whisper them to myself: ‘I have a secret.'

I pull my pillow down towards me, I stroke back a lock of hair from my face, I smooth my cheek against the pillow, I am ready for sleep, I close my eyes: ‘I have a secret.'

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