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Authors: Giorgio Faletti

I Kill

BOOK: I Kill
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Giorgio Faletti
graduated with a degree in Law and went on to become a singer-songwriter, TV comedian and actor.

I Kill
was his first thriller. Published in 2002, it topped the bestseller lists for over a year. The novel has since been translated into
twenty-five languages, including Chinese, French, German, Japanese, Portuguese, Russian and Spanish.

In 2004, he published his second novel
Niente di vero tranne gli occhi
and in 2006 he released his third thriller
Fuori da un evidente
destino,
all of which have been bestsellers.

 
I Kill
Giorgio Faletti

 

Constable & Robinson Ltd
3 The Lanchesters
162 Fulham Palace Road
London W6 9ER
www.constablerobinson.com

Editorial team of the English language edition: Antony Shugaar, Muriel Jorgensen, Lenore Rosenberg, Jeremy Parzen.

First published in Italy by Baldini & Castoldi as
Io uccido
in 2002

This edition published by Corsair,
an imprint of Constable & Robinson, 2010

Copyright © 2002 Giorgio Faletti
Copyright © 2002 Baldini & Castoldi
Copyright © 2003 Baldini Castoldi Dalai
editore
Copyright © 2008 Baldini Castoldi Dalai
editore
Inc.

The right of Giorgio Faletti to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs & Patents Act 1988.

All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any
form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

A copy of the British Library Cataloguing in Publication
Data is available from the British Library

ISBN 978-1-84901-295-9

Printed and bound in the EU

1 3 5 7 9 10 8 6 4 2

 
CONTENTS

FIRST CARNIVAL

ONE

TWO

THREE

SECOND CARNIVAL

FOUR

FIVE

SIX

SEVEN

THIRD CARNIVAL

EIGHT

NINE

TEN

ELEVEN

TWELVE

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

FOURTH CARNIVAL

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

FIFTH CARNIVAL

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

TWENTY-SIX

TWENTY-SEVEN

TWENTY-EIGHT

TWENTY-NINE

SIXTH CARNIVAL

THIRTY

THIRTY-ONE

SEVENTH CARNIVAL

THIRTY-TWO

THIRTY-THREE

THIRTY-FOUR

THIRTY-FIVE

THIRTY-SIX

THIRTY-SEVEN

THIRTY-EIGHT

THIRTY-NINE

EIGHTH CARNIVAL

FORTY

FORTY-ONE

FORTY-TWO

FORTY-THREE

FORTY-FOUR

FORTY-FIVE

NINTH CARNIVAL

FORTY-SIX

TENTH CARNIVAL

FORTY-SEVEN

FORTY-EIGHT

FORTY-NINE

FIFTY

FIFTY-ONE

FIFTY-TWO

FIFTY-THREE

FIFTY-FOUR

FIFTY-FIVE

FIFTY-SIX

FIFTY-SEVEN

ELEVENTH CARNIVAL

FIFTY-EIGHT

FIFTY-NINE

SIXTY

SIXTY-ONE

SIXTY-TWO

SIXTY-THREE

SIXTY-FOUR

LAST CARNIVAL

 

To Davide and Margherita

 

Death walks along a street,

Wreathed in faded orange blossoms

Singing and singing

A song

To a white guitar

Singing and singing and singing.

Frederico García Lorca

 
FIRST CARNIVAL

The man is one and no one.

For years, he has worn his face as a mask, a mere shadow of himself. He is so wiped out by tiredness that he has almost lost his sanity.

There is music, bodies moving. People smiling and talking. The man stands amongst them, leaning against a column as he watches curiously. He thinks that every last one of these people is
useless.

He is surrounded by endless faces, people who do not question; people who passively accept their lives and never admit to the boredom and pain of the journey.

At the far side of the room, a man and a woman are sitting next to each other at a table overlooking the garden.

In the soft light she appears as delicate and tender as melancholy. She has black hair and green eyes, so luminous and large that even from where he stands the man can see into them. Her
companion is conscious of nothing but her beauty. He whispers into her ear to make himself heard over the blaring music.

They are holding hands and she is laughing, throwing back her head or hiding her face against his shoulder.

Just a moment ago, she turned and looked around, perhaps aware of the fixed stare coming from the man across the room. Their eyes met for an instant, but hers passed indifferently over his face.
And then those incredible eyes came to rest once more on the man next to her. He returns her gaze.

They are young, beautiful and happy.

The man leans against the column, thinking that soon they will be dead.

 
ONE

Jean-Loup Verdier pressed the button on the remote, but only started his car when the garage door was halfway up, so as not to breathe too much exhaust. His headlights cut
slowly beneath the door and out into the black night. He slipped the automatic transmission into DRIVE and slowly rolled his Mercedes SLK outside. He pressed the CLOSE button and sat taking in the
view from his house as he waited for the door to shut behind him.

Monte Carlo looked like a bed of concrete by the sea, the city enveloped in the soft evening haze. Not far below him, in French territory, the lights of the country-club tennis courts, where
some international star was probably practising, gleamed next to the skyscraper of the Parc Saint-Roman. Lower down, below the old city fortress towards Cap d’Ail, he could make out the
neighbourhood of Fontvieille that had been reclaimed from the water, yard by yard, stone by stone.

He lit a cigarette and switched on the car radio, already tuned to Radio Monte Carlo, as he opened the remote-controlled gate and ascended the ramp to street level. He turned left and slowly
drove towards the city, enjoying the warm air of late May.

‘Pride’ by U2 was on the radio, and Jean-Loup smiled with recognition at the band’s unmistakable guitar riffs.

Stefania Vassallo, the show’s deejay, was crazy about U2’s lead guitarist, The Edge, and she never let a show go by without playing one of the band’s songs. Her colleagues at
the station made fun of her because of the dreamy expression she wore for months after she got an interview with her idols.

As he drove along the winding road that led from Beausoleil to the city centre, Jean-Loup tapped his foot in time with the music. Marking the upbeat with his right hand on the steering wheel, he
followed along as Bono’s rusty, melancholy voice sang of a man who came ‘in the name of love’.

Summer was in the air, and that unique smell one finds only in cities by the sea. An odour of brackish water, pine trees and rosemary. The scent of broken promises and lost bets.

All of it – the sea, the trees, the flowers – would still be there long after he and all the others like him had hurried by.

He drove his convertible with the top down, the warm wind in his hair. Promise filled his heart. He’d placed his bets in life.

Things could be worse.

It wasn’t late, but the road was empty. He flicked his cigarette into the rushing air, watching the bright curve it made in his rearview mirror. As it hit the asphalt it scattered in a
blaze of tiny sparks, the last puff of smoke disappearing in the darkness. Jean-Loup reached the bottom of the hill and hesitated, then, deciding to take the city-centre route to the harbour he
turned down Boulevard d’Italie.

Tourists were beginning to crowd into the Principality. The Formula 1 Grand Prix, which had just ended, meant the beginning of summer in Monaco. From now on, the city would be bustling with
actors and spectators day and night. There would be chauffeured limousines with privileged and bored people inside. There would be small cars with sweaty passengers adoring the sights, like those
who stand in front of shop windows wondering when they’d find the time to come back and buy that jacket, others where they’d find the money. Things were black and white – two
extremes with shades of grey in between.

Jean-Loup thought that the priorities of life, in the end, were simple and repetitive, and in places like Monte Carlo they could be counted on one hand. Money came first. Some have it and the
rest want it. Simple. A cliché becomes a cliché because it has some truth. Money might not buy happiness, but that didn’t seem to bother anyone.

The mobile in his shirt pocket chirped. He pulled it out and answered without looking at the caller’s name: he knew who it was. The voice of Laurent Bedon, the director and writer of
Voices,
the programme that Jean-Loup hosted on Radio Monte Carlo every night, crackled in his ear in a haze of static.

‘Any chance the star will grace us with his presence tonight?’

‘Hey, Laurent. I’m on my way.’

‘Good. You know Robert’s pacemaker acts up when the deejay isn’t here an hour before airtime. His balls are already smoking.’

‘Really? Aren’t his cigarettes enough?’

‘Guess not.’

Meanwhile, Boulevard d’Italie had turned into Boulevard des Moulins. The brightly lit shops on both sides of the street were a sea of promises, like the beguiling eyes of high-class tarts.
All you needed to make your dreams come true was a little cash.

Their conversation was interrupted by more static. He moved the phone to his other ear and the buzzing stopped. As if on cue, Laurent changed his tone.

‘Okay, seriously, hurry up. I have a couple of—’

‘Hold on a sec. Police,’ interrupted Jean-Loup.

He lowered his hand and tried to look innocent. Pulling up to the junction, he stopped in the left lane and waited for green. A uniformed policeman was standing at the corner to ensure that
drivers didn’t jump the lights. Jean-Loup hoped he’d hidden the phone in time. Monte Carlo was strict about using mobiles while driving. At that moment he had no desire to waste time
arguing with a stubborn Principality cop.

When the lights changed, Jean-Loup turned left, passing under the nose of the suspicious officer. Jean-Loup saw him turn and stare at the SLK as it disappeared down the hill in front of the
hotel Metropole. As soon as he was out of sight, Jean-Loup raised his hand and put the phone back to his ear.

‘Out of danger. Sorry, Laurent. You were saying?’

‘I was saying that I have a couple of promising ideas I wanted to discuss with you before we go on air. Step on it.’

‘How promising? Like a thirty-two or a twenty-seven?’

‘Fuck off, cheapskate,’ retorted Laurent, only half-joking.

‘Like the man said, I don’t need advice. I need addresses.’

‘Stop talking shit and hurry up.’

‘Got it. I’m heading into the tunnel now,’ Jean-Loup lied.

They were cut off. Jean-Loup smiled. That was how Laurent always defined his new ideas: promising. Jean-Loup had to admit that they almost always were. But unfortunately for Laurent, that was
how he also defined the numbers he
hoped
would turn up on the roulette wheel, and that almost never happened.

BOOK: I Kill
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ads

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